Cultural Analysis and Social Theory

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  • Knowledge Sharing as Resistance: A Collective Project with Sexual Assault Centre of Brant promotional poster for the Celebrating Laurier Achievements program with a headshot of Marcia Oliver.

    Knowledge Sharing as Resistance: A Collective Project with Sexual Assault Centre of Brant

    This project created community resources through a collaborative and community-based research project between Wilfrid Laurier University and the Sexual Assault Centre of Brant. The project interviewed members of the SAC Brant team on a variety of themes connected to anti-violence work. The responses to these themes have been compiled to provide first-hand accounts from staff, volunteers and board members on SAC Brant’s approach to sexual and gendered violence work. The work produced brochures that were able to articulate SAC Brant to be used in making community referrals. Our thanks to Kasey Politano, Amber Farrington, and all the other people who supported this work. This project is supported in part by funding from the Social Sciences and Humanities Research Council.
  • Fugir era el més bell que teníem (Fleeing was the most beautiful thing we had) promotional poster for the Celebrating Laurier Achievements program with a headshot of the book's author, Marta Marin-Domine.

    Fugir era el més bell que teníem (Fleeing was the most beautiful thing we had)

    This book is a literary reflections based on memory, exile and the imprint that the memory of others leaves on our skin, having as a central axis the memoirs of the father (a revolutionary kid during the Spanish Civil War).
  • A House of One's Own: The Moral Economy of Post-Disaster Aid in El Salvador promotional poster for the Celebrating Laurier Achievements Program with a headshot of the author, Alicia Sliwinski.

    A House of One's Own: The Moral Economy of Post-Disaster Aid in El Salvador

    What happens to people after an earthquake destroys their homes? What is daily life like under a humanitarian regime? Is aid a gift or is it a form of power? A House of One’s Own explores these enduring questions as they unfold in a Salvadoran town in the aftermath of the 2001 earthquakes.